Showing posts with label Saturday Singles Club. Show all posts
Showing posts with label Saturday Singles Club. Show all posts

Sunday, July 26, 2009

Singles for a Sunday




























Cartoone - Knick Knack Man

Side A: Knick Knack Man
Side B: Mr. Poor Man

Atlantic Records, 1969


Abaco Dream - Life And Death In G&A

Side A: Life And Death In G&A
Side B: Cat Woman

A&M Records, 1970


Happy Sunday! I've got a bonus double shot of singles for you all on this fine Sunday afternoon...

First up is Cartoone. Cartoone were caught up in the late 60's London pop-folk craze...and they weren't very good. The bulk of their S/T debut was rather limp, notably only for the presence of Jimmy Page's playing. But if you're looking for some Zeppelin or even some Yardbirds riffage, best look elsewhere. Cartoone is content with being plush and soft rather than rough and tumble. The only track I'm going to bother with off this single is "Knick Knack Man", what with "Mr. Poor Man" being pretty unremarkable.

"Knick Knack Man" starts off with a pretty great whistled melody and soon you get the requisite harmonies of the genre. In all, the song has a general Beatles-esque feel to it. The harmonies, gentle strumming, and the lead vocal echo Cat Stevens' particular brand of folk which I reallllllly cant stand. But here it somehow works for me. Maybe the subtle soul influence in the singer's inflections or the melody or maybe I'm just playing the tough guy role and, deep down, I really like this pappy, fruity, pillow soft "rock". Let's hope its a fluke and not a trend.


Cartoone - Knick Knack Man



So, lets dispense with the soft, emasculating, twirling in the fields pop-rock and grab a hold of some funk. This is an interesting record, "Live and Death in G&A"'s songwriting credit is given to Sylvester Stewart and its generally held that this is Sly and The Family Stone trying out some more creatively risky material away from the prying eyes of record executives. This defines the coke fueled speed funk bass playing that Larry Graham is revered for. His pace pushes this track like a downhill locomotive. The bass groove is foretelling, almost note for note, of the Jimmy Castor Bunch funk classic "It's Just Begun". What a great great great song.

The B side is even more amazing to me. The songwriting credit goes to one Eric Siday, a composer of jingles and commercial music. He was also one of the earliest adopters of Moog Synthesizers and this song showcases them brilliantly. With a live drummer pumping out an almost no-wave/ESG/Gang of Four beat, "Cat Woman" sounds like something out of New York in the early 80's, with layers of odd vocals and gobs of funky Moog sounds. This record freaks my dog out.


Abaco Dream - Life and Death in G&A


Abaco Dream - Cat Woman


BONUS! Jimmy Castor Bunch - It's Just Begun



Saturday, June 20, 2009

Saturday Singles Club!















Betty Wright - If I Ever Do Wrong (from the album - Explosion)

Sides A+B:
If I Ever Do Wrong

Alston Records, 1976



Welcome to the first installment of the Saturday Singles Club. The name is rather self-explanatory, so I'll spare you details. I am going to be posting links to the songs, whenever possible. Some of this stuff may be hard to find, so if something you're in to is not shared, I apologize in advance.

Betty Wright was at the forefront of the disco movement in the early 70's in Miami. Starting her career in 1968 (at 15 years old!!) with the album "My First Time Around", Wright didn't begin gaining success until the early 70's. Being part of the legendary TK Records stable, Wright rode the massive wave of Miami disco to wider acclaim and peaked with a Grammy for "Where Is The Love?" in 1975.

As for the song, its on the Art Laboe/Quiet Storm late night slow jam tip. A brilliant horn+piano intro leads in to a torchy, sublime vocal from Wright. Some almost doo-wop backing vocals pepper the song throughout. Well known for her skills in the upper registry (she's been an oft used backing singer), Wright shows some real restraint on a song that is a bit of a departure from her disco-heavy output. Your standard RnB themes of infidelity and love show up lyrically and the unintentional humor is great. She's basically saying "Hey, if I cheat on you take heart that I put some thought in to it. But I'll try my best to be good". Its a morality play on wax.

This song is a gem, one of the hundreds of great soul ballads from the golden age. Sunny enough to accent a summer BBQ, dark enough for a rainy day. Enjoy.


Get Some

Availability: Not too rare

Legendary/Tragic Aspect: Betty sued and won 35% of the royalties from Color Me Badd's massive hit "I Wanna Sex U Up" for non-clearance of samples.

RIYL: Soul, Sunshine, Art Laboe, Philadelphia, Motown, Stax, Aretha